Showing posts with label Chicago. Show all posts
Showing posts with label Chicago. Show all posts

Thursday, May 11, 2017

'Come on Rock Little Girl' - Smokey Smothers



I played this song early in the night at Steel City Blues Festival 2017 before the Cash Box Kings took the stage. Joe Nosek of the Cash Box Kings heard the song, and came over all excited because I'd played a Smokey Smothers song. He was promptly disappointed that I didn't know more about this artist, and proceeded to provide a wonderful recommendation for more Smokey Smothers and his album Smokey Smothers Sings the Backporch Blues. I also highly recommend everyone give this a listen.

Fun Fact: the original LP of this album is rare, so if it's hiding somewhere in a relative's or your own collection you have a several hundred dollar vinyl on your hands. 

I appreciate how much this whole album lags, and this song specifically. The voice is always just behind the beat, in danger of sliding to the next one. Freddie King is playing guitar on this album. In trying to describe this song the phrase "in the pocket" seems the most appropriate. 

Otis "Big Smokey" Smothers was born in Mississippi and relocated to Chicago in 1946. He was a member of Howlin' Wolf's backing band and worked with powerhouse musicians like Muddy Waters, Bo Diddley, Ike Turner, and Willie Dixon. He had a younger brother called Little Smokey Smothers, which if course causes no confusion. 

Smokey in the 50s formed a Muddy Waters tribute band, which would play in Chicago when Muddy Waters was on the road. His most famous album is Smokey Smothers Sings the Backporch Blues, which he released in 1962. He didn't record a full album again until the 1980s that saw the release of Got My Eye on You. He died in July of 1993. 

Joe of the Cash Box Kings mentioned that they might be putting together a tribute concert in September of this year for Smokey Smothers. I'm looking for some information on that, hoping it to be true. 

Other Versions:
Come on Rock Little Girl - The Mannish Boys

Sources:
http://www.allmusic.com/album/sings-the-backporch-blues-mw0000225986
https://www.last.fm/music/Smokey+Smothers/+wiki
https://en.wikipedia.org/wiki/Otis_%22Big_Smokey%22_Smothers
https://secondhandsongs.com/work/123196/all

Sunday, April 23, 2017

'The Deacon' - Gerry Hundt


Reflecting on BluesSHOUT this weekend I am reminded how lucky we are in Chicago in the musicians we have who play for dancers. The band line up for SHOUT this year featured all local artists. For me, a particular highlight this year was the Sunday night band, the Gerry Hundt Trio with guest Corey Dennison. Gerry Hundt has been a staple sound of the Chicago Blues scene, both for dancers and the larger music scene as a whole. He has played for Bluetopia many times, sat in with the Cash Box Kings for previous SHOUTs, and helped put together groups last minute when other bookings have not worked out. He was also the band leader for SHOUT this year, helping organize and arrange the groups that performed.

For this particular feature I'm highlighting "The Deacon", which is the song playing in the linked video. It is the 2nd song of the Gerry Hundt Trio's EP, called GHT the EP, recorded in 2012. This is my favorite song off the EP. It has a great energy and a 'party' feel. It grooves hard with Gerry leading on electric guitar, Randy Nelson on bass, and Ralph Kinsey holding down drums. The song doesn't change a great deal over its course, but has enough swells and dips in energy to drive a dancer. It's a hard tune not to always DJ and overplay. To me, it's just that fun.

Gerry Hundt himself has an interesting background for a Chicago blues musician. According to rrstar.com, he picked up guitar after an injury kept him from playing varsity soccer his junior hear of high school (he was also the team captain). In college, studied Latin and Greek, along with some music theory. Hundt plays a variety of instruments, recording his first album Since Way Back on the mandolin. He also has a one man band set up with harmonica, guitar, and various percussion (and an album recorded with that kit).

Hundt introduces kids to the history and sound of blues music though the Blues in the School programs. In the rrstar.com piece he is quoted:

“Kids today only hear from people that blues is bad,” Hundt said. “In reality, the music relies on a principle that goes back to Aristotle — a purging of emotions by means of that emotion. You hear about what a person is experiencing emotionally because you go through it with them in the song. Blues is more about hope than sadness.”

Gerry Hundt regularly plays at Kingston Mines in Chicago, and also with the Corey Dennison Band. They have been nominated for a 2017 Blues Music Award for Best Emerging Artist (results to be released in May). The Corey Dennison Band also has an album that includes "The Deacon". I highly recommend picking up this album (I got a copy at SHOUT).

Gerry Hundt Trio live at Bluetopia

Other versions:
Instrumental Version, with slight rhythmic differences

The Corey Dennison Band - The Deacon

Sources:
https://en.wikipedia.org/wiki/Gerry_Hundt
http://www.rrstar.com/entertainmentlife/20170304/rockford-native-gerry-hundt-shares-blues-with-new-generation
http://www.coreydennison.com/

Thursday, January 5, 2017

Everybody's Got To Change Sometimes - Barrelhouse Chuck

"Sooner or later
We all goin' down
in that lonesome ground"


Barrelhouse Chuck died on December 12th, 2016. I wanted to highlight one of my favorite songs he did as a way to acknowledge the enjoyment his music brought. It seemed appropriate that my favorite song by Barrelhouse Chuck (born Charles Goering) has the line about going down into the ground.  I always loved the force of this song, the power behind the percussive piano hits, the voice that carried throughout. The song itself is a cover, possibly of Sleepy John Estes' 1938 song of the same name (he is listed as the artist on the track information). I found another version by Taj Mahal (both versions are linked below). I enjoy the version Barrelhouse Chuck wrote because he drops the tempo, pulls in more instruments, and the piano is front and center. It's an emotionally full song that doesn't let up until the final chords ring out and the band goes silent.

The first time I met Barrelhouse Chuck was at the Winter Blues Intensive in 2015. There was a panel discussion about blues music: past, present, and future. Barrelhouse Chuck tottered in (I found out later he was fighting cancer) to sit along side Katherine Davis and Mud Morganfield. They talked openly and candidly about their careers, how they got to be blues musicians, and what they thought the future of the genre looked like. After the panel the three of them played and sang a few songs for us, and Barrelhouse Chuck came alive. Whatever hesitancy he had walking vanished when he played with evident and infectious joy.

And he was like that in person. I bought one of his CDs at the panel for him to sign and shared that my favorite song off one of his early albums was "Everybody's Got to Change Sometimes", though I didn't remember the title and could only sing the refrain back to him. He knew it immediately, his face lighting up, and he finished the next verse. "Oh, that's off my first album!" he said excitedly.

In the panel he was a good storyteller, too. He talked about following Muddy Waters around Florida, listening to his music, and eventually opening for him as well. He covered a Muddy song at one show. Afterwards, Muddy came backstage demanding to know who the piano player was. Nervous, Barrelhouse Chuck owned up. Muddy smiled and said, "you play my shit good".

Before that point, he learned to play blues piano from Sunnyland Slim, and eventually the artists Pinetop Perkins, Blind John Davis, Detroit Junior and Little Brother Montgomery. Barrelhouse was always quick to point out who he had learned from, who his influences were. We were fortunate in Chicago to have him play for Bluetopia on a couple of occasions, or get to see him Wednesday nights at Barrelhouse Flat.

Barrelhouse Chuck maintained a presence in the Chicago music scene in addition to tours and other projects. In February 2008, he assisted in recording the soundtrack for the film Cadillac Records. He had numerous appearances at the Chicago Blues Festival. In 2012 he played at the "Howlin' for Hubert" concert at the Apollo Theater. Some accolades included nominations for a Blues Music Award in the Pinetop Perkins Piano Player Category, and his 2014 album 'Drinking from Town to Town' received a nomination for Traditional Blues Album of the Year.

Other versions:
https://www.youtube.com/watch?v=duZdbO7v40g - Taj Mahal (Latin blues)
https://www.youtube.com/watch?v=eg9a71tQdMI - Sleepy John Estes (acoustic) - possibly Original
https://www.youtube.com/watch?v=ZE_ublgroXo - Eric Clapton

Sources:
http://www.chicagotribune.com/entertainment/music/reich/ct-barrelhouse-chuck-obit-ent-1214-20161213-column.html
http://www.cdbaby.com/cd/barrelhousechuck8
https://en.wikipedia.org/wiki/Barrelhouse_Chuck
http://www.allmusic.com/album/salute-to-sunnyland-slim-mw0000242533

Sunday, August 11, 2013

Am I a Tourist? Are you?

(Day two of my self-imposed writing project)

Ezra wondered when people stop being tourists and become inhabitants. When could a city be claimed, or a town, or a country for that matter, as a home instead of a destination? Or if the place you live is stereotypically tourist destination, are you still a tourist for visiting parts of the city? And if your place is not a typical destination, does it still count as tourism if you visit a place you haven’t seen in your town or borough yet, just to see it?

He thought these things to himself while squirming through the mass of people cramming the popular Millennium Park in downtown Chicago. A sunny August day should had prepared Ezra for the sweating and undulating crowd of parents and kids, backpackers and elderly couples vying for walking space on the packed sidewalks. Looking around Ezra caught the frustrated eyes of the natives. The purposeful gait of those used to the bustle of the city was truncated by the masses. Frustrated eyes looked for pockets to dash through. Their gazes were directed forward, not up and around. Ezra felt a kinship with them, but frowned and wondered why he should.

I haven’t moved here yet. I’ve visited plenty, but that doesn’t make me a native. Is there some hard and fast point at which I stop being a visitor and become something more permanent? He escaped the crowd by dashing down the stairs into the underground pedestrian walkway. A few minutes later he arrived at a subway station. Musing on the train home he watched the city pass by.

“At what point does a tourist become a local?” Ezra asked Mary, his girlfriend of a year. Mary was seated cross-legged on the giant beanbag she had found on Craig’s List. Her auburn hair was pulled back in a ponytail. Looking up from her laptop, dark brown eyes met Ezra’s gray.

“When you stop going to all the touristy places, I guess, “she said.  “Why do you ask?”

“I was wandering around downtown today—“

“—That being your first mistake—“

“Haha. I mean, I was wandering around and I’m getting really comfortable here, you know? I feel really at home in the city, getting from place to place, finding my own way around, not relying on cabs or maps. I know which train lines to take where and when they stop running. But I don’t have an apartment here. I’m still a visitor.”

Mary set her laptop on the low table next to her. Her apartment was furnished with lower than average furniture. An older building (advertised as ‘vintage’ by the leasing company) with high ceiling and peeling white molding, it looked on the inside like a fight between two interior decorators. One preferred Asian inspired furniture and posters, screen-printings and low wooden furniture, chopsticks and rice bowls with blue patterns. The other decorator had done a lot of acid in the 70s and some part of the brain remained there. Beanbag chairs, plastic houseplants, a garish shag carpet rug festooned the living room. A large stained glass peace sign hung in the bay window.

Mary herself as a mix of styles, through currently one of Ezra’s college fencing shirts covered her slight frame. A pair of her old Taekwondo uniform pants covered her lithe legs. She was in better shape than Ezra and playfully reminded him of the fact when they went running together.

She paused before answering, “you come here to see me, in part. Or so I hope.” She winked at him. Long distance relationships were difficult, but they had managed this one well. They both agreed, Skype was a beautiful piece of software. “Plus, your family lives less than an hour from here. You’ve been visiting here for years, since you were young right?”

“Yeah, that’s true,” Ezra shifted in his seat, staring back down at the bottle of beer in his hands, “I mean I saw all these tourists today. Legitimately, easy to spot tourists. Camera phones, guidebooks, maps, waddling in packs, the whole thing. And I got mad at them. Angry! Like, morally offended that they would pack into MY city.”

“Your city? And they’re allowed to visit, you know. The tourism sector brings a lot of money into Chicago.”

“I’m aware, I know. I mean, I felt in that moment like one of the locals, less of an outsider, or a visitor. It was like when I was in Scotland—“

“—Really? Back to Scotland again?” she teased.

“In this case yes! I was there only two months. Just two. Not long enough to learn the culture, to know a great deal of the history (though I feel like the only one who read all of our reading before the trip, How the Scots Invented the Modern World), but long enough so that when I went back to Edinburgh the third or fourth time I was sort of annoyed with all the Americans milling about on the Royal Mile instead of wandering into the less touristy areas of the city. It’s a beautiful city!”

“As you keep saying.”

“Yes, sorry, just, well, and in Dundee the urgency of vacation wore off the second week we were there. Classes, fencing practice with the local team, buying groceries, finding our favorite local pubs, it became very mundane, even though we were four thousand miles from home. I guess it surprised me how quickly all that became normal.”

“Do you think your anger with tourists might have something more to do with you rather than an actual hard and fast definition of tourist versus visitor? They’re allowed to visit the city and share these spaces as well. They find something awe inspiring in those sights, or something interesting there that you may overlook becomes you’ve grown used to them? Maybe you’re jealous.”

“True,” Ezra said, “I hadn’t considered it that way, and I haven’t spoken with enough people to know. Maybe I should, I’d be curious to know.”

“It might be like a sliding scale,” Mary offered, “certain qualifications might make you one or the other. It’s easy to spot the extremes:  the tourist with the camera against the local. It’s harder to peg you, someone who is comfortable in the space but doesn’t officially live there. Or when you were in Scotland. You had a space, you had an address, but you were temporary.”

“That’s true, but what if it’s like this:  like you, a local has been somewhere for years, but still explores their surroundings. In some ways we’re always finding new places, being surprised by what is hidden in a city or a space. Maybe in some ways we will always have a bit of tourist in us,” Ezra took a sip of beer, then stood up to cross the room. He motioned for Mary to make some room. They squished against each other in the giant beanbag, quietly sitting for a moment.

Mary pinched him; “I think someone has thought of that notion already.”


“Yeah,” Ezra said, “They probably have.”

Saturday, August 10, 2013

Writing for a Month - The Beginning

Burwood Tap
The Burwood Tap, Lincoln Park
Forgive this post. It’s going to be somewhat “I” heavy. I will endeavor to keep more posts from being so, shall we say “me”, for the next month. But all projects have to start with a purpose, so here is mine.

For the first time in a long time I find myself with free time. I don’t mean free time in the “I have a few hours this evening to play the Homestead missions of Assassin’s Creed 3” free time, but rather the “work doesn’t start till mid-September and it is currently early August” kind of free time. I suppose I shouldn’t complain, but it’s not like I have infinite funds and can go gallivanting off across the US on a journey of self discovery (I did that two years ago, except to Scotland, plus I’m far more aware of myself now than I was then) or that much space to work in (can’t move into the new apartment till Sept 1st).

So what to do?

I’ll be splitting time between Chicago and northwest Indiana. I think some evenings will be spent wandering the dunes on the southern tip of Lake Michigan. Perhaps I’ll take up train running again in and around the hills back from the lake.

All that aside, I think I’ll at least write.

I’ve fallen out of the habit of this. The blog I wanted to keep hasn’t been updated in quite some time. The stories I’ve planned in my head remain unwritten. I have not given them the time or the attention that I’ve used elsewhere. Most of my days have been spent writing for various projects, something the last thing I want to do is write more.

But now I have time. I’d like to use it constructively (once I finish Dragon Age).

Goals for this project? Let’s say something like this:
·      Blog posts 3 times a week, various topics
·      Specific topic:  Philosophy of Family
·      Reflection on Huxley’s Brave New World and Island
·      3 or so short stories
·      A farewell piece about Ann Arbor

I think that will keep me busy enough. I once suggested this route to a friend of mine to cope with not being busy. Taking my own advice shouldn’t be too hard, right?

I was thinking all this while wandering the Lincoln Park neighborhood of Chicago. It’s all the things that drew me (back) to Chicago:  old homes, people out and walking, green tree lined streets, sounds of traffic, bird calls, parks filled with people and their pets,  neighborhood bars tucked away from busy main streets, and the steady thrum of life and living. Taking a short train ride brings the downtown awash in suits, tourists, traffic, and towering buildings. In a few weeks I’ll be moving into an old style apartment with high ceilings, old moldings, hardwood floors (dance party, anyone?), and a big bay window. Along with these comes the next chapter, something new and challenging.


Come visit me. I can promise good bourbon.